Thursday, September 22, 2011

Fashion-Conscious Orthodox Women Push Limits of Modest Dress - Forward

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New Generation Wants To Look Sexy and Obey Religious Dictates

By Paul Berger

Published September 10, 2011, issue of September 30, 2011.

On a recent Sunday, Nechama Silverberg slipped into a vintage skirt at a pop-up consignment store in Brooklyn, trying on clothes as any other hip 20-year-old might, but for one difference: She carefully measured whether the skirt revealed her knees.

Around her in the Frock Swap, an Orthodox clothing business celebrating its first anniversary, were other women pushing the boundaries of modesty: an exposed elbow here, a bare collarbone there, a skirt that ended at just the wrong side of a pair of knees. Many were on the lookout for unique outfits for the coming High Holy Days. Some were engaged in angst-ridden mental calculations about whether an item was tznius — modest according to Jewish law — and if not, how it could be altered.

Stores and websites such as Junee and FunkyFrum have been catering to more style-conscious Orthodox women for some time. At the Frock Swap, plenty of women pulled off stylish outfits with nary an elbow or a knee in sight.

But, anecdotally at least, more women are taking liberties with the laws of tznius. It's evident on main streets and in kosher cafes and restaurants in and around major cities like New York and Los Angeles, fueling snide comments about "hot Chanis" and earnest debates about the merits and nuances of aspiring to be "tznius sexy."

Tznius is a particularly gray and, it seems, malleable area of Jewish communal life. Rabbi Avi Shafran, a spokesman for the conservative Orthodox umbrella organization, Agudath Israel of America, said there are two ways to interpret this practice. There is the halachically mandated "covering up," which refers to a woman's upper arms and upper legs and to a married woman's hair. Then there are "communal norms," such as a prohibition against bare feet, which are not "inherently mandated" and are therefore left up to individual communities — and in many cases, individuals — to decide.

"As in every community, there are ideals," Shafran said, adding that there are those who hew to them as wells as those who fall short of reaching them.

"I think that a stroll in Crown Heights or Williamsburg or Boro Park will evidence a good deal more of the former, but, I'm sure, examples of the latter, as well."

Indeed, this past summer a debate over tznius exploded in the Dear Rachel advice column pages of The Jewish Press, which covers the largely Jewish Five Towns on Long Island.

"Is it a sin for a frum girl to have the desire to make herself pretty?" asked one correspondent, who said she liked to dress unconventionally but always within the bounds of modesty. Another reader railed against married women who wear "enormous, garishly styled custom wigs" and clothes "so tight, it is a wonder they breathe."

"These women are a disgrace to Orthodox Judaism and should not be tolerated," the exasperated reader wrote.

Allison Josephs, founder of an outreach website, Jew in the City, said that the problem for women lay in defining the line between style and tznius. Always having taken care of how she looked, and raised in a Conservative Jewish household, Josephs, who is now more observant, said, "It was actually very important for me to see that I could express that part of myself and still feel good about myself while living a Torah-observant life."

"Tznius sexy could go in two different directions," added Josephs, who recently gave a talk, "Frum and Fabulous," to a group of Modern Orthodox women in Cherry Hill, N.J. She said there are women who conform to tznius and look stylish, retaining a "mystique" that "leaves something to the imagination." Then there are women who "follow the rules, but not the spirit of the law," managing to cover all the right areas and yet still look "too sexualized."

For some women, what other members of the community think is of little importance so long as their husbands, and perhaps their rabbis, approve. But they must also pay attention if they want their child to attend the right yeshiva. Chaya Chanin, a mother of two who co-founded the Frock Swap with her sister, Simi Polonsky, and lives in Crown Heights, said, "There are schools in the neighborhood who will only accept [students of] parents if they dress in a certain way."

The sisters, who grew up in Sydney, Australia, are daughters of a Chabad rabbi. Chanin, 26, said they always had a passion for finding ways of blending fashion with Halacha. They would take a short dress or a sleeveless or low-cut top and turn it into something modest "while still being fashionable." Women at the Frock Swap spoke of shopping in big box stores to hunt for tznius-compliant pieces, or of finding inappropriate items and then adding fabric, taking down hems or slipping a top underneath to solve the problem of revealing too much.

Polonsky, 25, lives in Cleveland and flies to New York every four to six weeks for Frock Swap sales. She said that she has to dress slightly more conservatively in Ohio than in New York. She also said that there are some items the Frock Swap never accepts, such as miniskirts or pants. "We want to help people look good and be tznius," she said.

Polonsky pointed to the racks around the store, which had taken over a Crown Heights florist shop but could just as easily have been set up in a Five Towns living room or in Chanin's home. There were high-end designers such as Armani, Fendi, Gucci and Marc Jacobs; a 1960s Ports jacket for $565, and a Montclair jacket for $500. Less expensive items, such as pieces by Nanette Lepore and See by Chloe, were there "to keep the price range available to everyone," Polonsky said.

Polonsky, Chanin and a few helpers were dressed in snug black T-shirts emblazoned with the Frock Swap name on the front, and slogans on the back that ranged from the innocent "Dare To Be a Frock Star" to the more provocative "Like I Give a Frock." At the front of the store, a speaker blasted out a range of music from Aretha Franklin to Eminem. By midday the store was alive with about a dozen women — some with strollers, others carrying babies under their arms. Even some girls from a local yeshiva stopped by in their uniforms to flick through the racks of clothing.

"It's very personal for each woman," Silverberg said of the mental calculations that went into a decision about what to wear. "I feel that what Halacha gives us is a gift of laws that can outline how to be self-dignified." But she added, "There's no law against looking beautiful." Avigayil Waxman, 19, who looked striking in a baggy orange shirt and a black-and-white pencil skirt that ended above the knee, said it was a battle for every girl trying to be fashionable and tznius. "Everyone defines it differently," she said.

"At the end of the day, everyone knows if they feel guilty or feel good for what they are wearing," said another woman named Nechama, 22, who declined to give her surname. "You have instinct, God gave that to you.

"You know."

Contact Paul Berger at berger@forward.com



23 Sep, 2011


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Sexy Urban gives fans everything they want - Edmonton Journal

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Sexy Urban gives fans everything they want
Edmonton Journal
By Tom Murray, Freelance September 22, 2011 3:07 AM Keith Urban brought his high-energy brand of country rock to Rexall Place on Wednesday night. If Keith Urban was attempting to get closer to his fans on Wednesday night, he couldn't have done a better ...
Keith Urban woos the crowd at Rexall PlaceEdmonton Sun

los 4 artículos informativos »

22 Sep, 2011


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Sexy Urban gives fans everything they want - Edmonton Journal

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Sexy Urban gives fans everything they want
Edmonton Journal
By Tom Murray, Freelance September 21, 2011 10:00 PM Keith Urban brought his high-energy brand of country rock to Rexall Place on Wednesday night. If Keith Urban was attempting to get closer to his fans on Wednesday night, he couldn't have done a ...
Keith Urban woos the crowd at Rexall PlaceEdmonton Sun

los 4 artículos informativos »

22 Sep, 2011


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Wednesday, September 21, 2011

Police: Elyria mom left kids, went to bikini bar - The Morning Journal

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Ashby

ELYRIA — A woman was arrested at a North Ridgeville bikini bar early on Sept. 21 after she left her 1- and 2-year-old children at home in Elyria by themselves, according to a police report.

Monica Ashby, 27, of Elyria, was arrested at Chrissy's Lounge, 39462 Center Ridge Road, after she told the bartender that she had left her children home alone, according to North Ridgeville police Capt. Marti Garrow.

The bartender then called North Ridgeville police, who arrived to find Ashby extremely intoxicated and incoherent, Garrow said.

Elyria police were contacted and arrived to arrest Ashby after investigating her 1864 Middle Ave., Elyria, apartment.

A security officer at Ashby's apartment complex told Elyria police he saw Ashby leave the building around 11:30 p.m. on Sept. 20. Police entered Ashby's apartment, which she had left unlocked, and found two children sleeping on a mattress in the living room, according to the report.

Ashby's cousin arrived at the apartment and took the children, according to the report.

Ashby is charged with child endangerment. She was taken to Lorain County Jail.

Ashby

ELYRIA — A woman was arrested at a North Ridgeville bikini bar early on Sept. 21 after she left her 1- and 2-year-old children at home in Elyria by themselves, according to a police report.

Monica Ashby, 27, of Elyria, was arrested at Chrissy's Lounge, 39462 Center Ridge Road, after she told the bartender that she had left her children home alone, according to North Ridgeville police Capt. Marti Garrow.

The bartender then called North Ridgeville police, who arrived to find Ashby extremely intoxicated and incoherent, Garrow said.

Elyria police were contacted and arrived to arrest Ashby after investigating her 1864 Middle Ave., Elyria, apartment.

A security officer at Ashby's apartment complex told Elyria police he saw Ashby leave the building around 11:30 p.m. on Sept. 20. Police entered Ashby's apartment, which she had left unlocked, and found two children sleeping on a mattress in the living room, according to the report.

Ashby's cousin arrived at the apartment and took the children, according to the report.

Ashby is charged with child endangerment. She was taken to Lorain County Jail.

22 Sep, 2011


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The Daily Start-Up: How Does $33M Feel? JustFabulous - Wall Street Journal (blog)

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Top stories in today's VentureWire:

Fashion brand and retail site JustFabulous is spinning out with $33 million and fresh leadership from fashion maven Kimora Lee Simmons, who will be president and creative director of the company. "We've had our eyes on Kimora since day one. She's a very credible and a strong force in the fashion industry," said Adam Goldenberg of Intelligent Beauty Inc., which incubated the company.

GrubHub Inc. raised $50 million to gobble up competitor Dotmenu Inc. and better allow mobile phone users across the nation to order take-out food with a click. The Series E round comes just six months after the Chicago-based company raised $20 million in a pre-emptive funding blitz that valued the company at more than $120 million pre-money.

Also in today's VentureWire: Advertising technology company Adchemy Inc. has raised a $61 million Series E round, partly from Microsoft Corp., for advertising technology it says moves beyond the keyword and focuses on consumer intent…venture debt firm Lighthouse Capital Partners is marketing its seventh fund with an aim to raise $275 million, VentureWire has learned…and network security company Solera Networks Inc. said Gordon Eubanks, former chief executive of Symantec Corp. and Oblix Inc., has joined its board.

(VentureWire is a daily newsletter with comprehensive analysis of all the investments, deals and personnel moves involving start-ups and their venture backers. For a two-week trial, click here.)

Elsewhere around the Web:

Google broadened its assault on Facebook, opening its Google+ social network to the public. Wired looks at some of  service's new features. Meanwhile, Google rivals Nextag, Yelp and Expedia gear up to challenge Google on Capitol Hill, contending the company is punishing them on its search engine.

Life sciences investor Third Rock Ventures has a new entrepreneur in residence, Keith Dionne, who was CEO of Surface Logix and Alantos Pharmaceuticals.

Some of the $100 million that Facebook founder Mark Zuckerberg donated to the Newark school system will go directly to teachers, The Wall Street Journal reports. The foundation that manages the gift is to announce a two-year, $600,000 program that will award $10,000 grants to teachers who develop innovative classroom programs.

TechStars, a Boulder, Colo.-based technology incubator, has raised a new $24 million fund from investors who include venture firms. The fresh capital will enable it to provide a $100,000 convertible note to each company accepted into the program

21 Sep, 2011


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Monday, September 19, 2011

Kate Winslet loved Guy's sexy Emmy speech - Winnipeg Free Press

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Winnipeg Free Press - ONLINE EDITION

Kate Winslet was delighted that Guy Pearce praised her sexy screen skills during his Emmy Awards acceptance speech.

The actor picked up the trophy for Best Supporting Actor in a Miniseries or Movie for his performance in 'Mildred Pierce' at the ceremony at Los Angeles' Nokia Theatre last night (18.09.11) and told the star-studded audience he never expected to win anything for having "sex" with his co-star Kate.

He quipped: "This was really a delightful experience making 'Mildred Pierce' I got to have sex with Kate Winslet many, many times. And I didn't realize it was going to result in this, so Kate I share this with you because you're an extraordinary woman, thank you, for allowing me to insert myself into your world of Mildred."

Kate loved Guy's cheeky remarks and admits she was just thrilled to work with him on the series - which is set in the Great Depression and is based on the novel James M. Cain - because he was her teen crush.

Speaking backstage about Guy's speech, the 35-year-old actress - who won the Best Actress in a Miniseries or Movie prize for her role as the show's titular character - said: "I was thrilled! I've had a crush on Guy Pearce since I was 11 years old, so just to stand in the same room as him was thrilling for me and to hear him say that was even more of a buzz."

The big winners of the evening at the 63rd Primetime Emmy Awards were comedy series 'Modern Family' and period drama 'Downton Abbey' who both took home four accolades each.

19 Sep, 2011


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Friday, September 16, 2011

Kim Kardashian And Kris Humphries' Wedding Album (PHOTOS) - Huffington Post

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Kim Kardashian and Kris Humphries got married three and a half weeks ago and as they still bask in their newlywed glow we have an even more detailed look at their big day! ...

Kim Kardashian and Kris Humphries got married three and a half weeks ago and as they still bask in their newlywed glow we have an even more detailed look at their big day! ...

16 Sep, 2011


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Thursday, September 15, 2011

Toronto 2011: Moonlyn the sexy butter carver to the rescue - Los Angeles Times

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Butter party
On Tuesday evening, the Weinstein Co. was set to throw a pre-premiere cocktail party at the Toronto International Film Festival for its new comedy "Butter," starring Jennifer Garner as an uptight, competitive Iowa housewife who sees her family's legendary butter-sculpting skills as the ticket to a political career. But three hours before the event, something was obviously missing: a butter carver.

That's when Moonlyn, a buxom 25-year-old Toronto musician who claimed to go by one name, said she got a call from her agent, who normally books her for modeling gigs.

You know how to do airbrush tattoos, he said, so maybe you can do this butter job? he inquired. Oh, and can you dress like a "sexy milkmaid"?

As luck would have it, Moonlyn had carved butter before: In high school, at the Royal Agricultural Winter Fair, held each November in Toronto. With that, the deal was sealed.

By 7 p.m., Moonlyn, in blond, Heidi-esque plaits, a black micro-mini and a cropped peasant blouse that covered more of her shoulders than her breasts, was at work at the party at the Burroughs Building on Queen Street, molding dozens of 1-pound unsalted butter bricks into a 2-foot high tower that she would then carve into a form vaguely resembling a bottle of Vitamin water (a corporate sponsor of the soiree).

Soon Garner appeared at the event, and upon seeing the emerging oleaginous objet d'art, exclaimed: "I want to get in there!" Learning about food sculpting from a pro in preparation for her role, she explained, was very tactile and very fun. Not that she really learned how to carve; it was more about holding the tools properly and such.

"The guy told me, 'Don't quit your day job,' " Garner said.

RELATED

Toronto 2011: Who's the inspiration for Olivia Wilde's stripper?

Toronto 2011: Harvey Weinstein carves 'Butter' into political statement

Toronto 2011: Sarah Palin gets a Bronx cheer in new documentary

-- Julie Makinen in Toronto

Photo: Moonlyn, butter carver for hire, explains her art to the author of this post. Credit: Chris Libby.

16 Sep, 2011


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'Chuck' spies Rebecca Romijn for sexy, dangerous role -- EXCLUSIVE - Entertainment Weekly

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Rebecca-Romijn

Image Credit: Jason LaVeris/FilmMagic.com

Rebecca Romijn proved she can kick major butt in the X-Men films and now, she's bringing her lethal moves to Chuck's final season.

EW has learned exclusively that the actress will appear in the sixth episode of the upcoming season (which starts Oct. 21) as Robin Cunnings, an elite Special Agent with the CIA who's as cold and calculating as she is sexy, and is known for her barbaric (yet highly effective) interrogation techniques.

As expected, her appearance brings nothing but bad news for Chuck and Co. Her character is said to be a member of a rogue group within the CIA that is planning to frame Chuck for the crime of the century.

Romijn, who is currently appearing on the Adult Swim comedy series NTSF:SD:SUV, last graced network TV on ABC's Eastwick and Ugly Betty.

Related:
'Chuck' star Sarah Lancaster gives birth to son
40 Fall TV Shows We're Psyched About
'Chuck' scoop: Joshua Gomez says of Morgan as the new Intersect: 'The potential is there for it to go a little haywire'

16 Sep, 2011


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Bikini Shot of the Day: Halle Berry Brings It Back to the Beach - E! Online

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16 Sep, 2011


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Win A Fairy-Tale Wedding From Kim Kardashian! - DrJays.com Live

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Home » Gossip, Sex + Relationships
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Kim Kardashian so enjoyed her reported $30 million August wedding to her now NBA-player husband Kris Humphries, that she wants to give all of the brides-to-be of the world who are planning their weddings for the Spring or Summer of 2012 their very own chance to win the wedding of the century (besides Kimmy's, of course), courtesy of the reality starlet.

"To all of my beautiful brides-to-be! I have a very special surprise for you!" Kim wrote on her official blog. "I felt so blessed to have some of the world's most amazing designers make my wedding day the most magical, beautiful and memorable day of my life. Meeting the designers and having them help create my fairy-tale wedding was a dream come true for me and I want to give one of you the chance to experience the wedding of your dreams."

The contest is no joke. Kim Humphries and her "Glam Squad" are giving one lucky bride a $10,000 bananas bride package which includes a White by Vera Wang for David's Bridal dress inspired by one of the three Vera Wang dresses Kim wore on her big day, up to four White by Vera Wang for David's Bridal bridesmaid dresses, heels from Giuseppi Zanotti, an exclusive monogrammed Judith Leiber bag (Kim gifted each of her bridesmaids with one), a make-over for the bride and a dream kitchen from Williams-Sonoma valued at $5,000. The winning bride and her bridesmaids will also receive a special fitting at the David's Bridal store in Los Angeles and $500 to put towards travel and hotel costs.

"I am so excited to be able to offer this amazing prize and give one happy couple a dream wedding," said Kim, "and am so thankful to Vera, Giuseppi, Judith, David's Bridal, Williams Sonoma and my Glam Squad for helping me make this happen."

The top ten couples that can explain in 250 words or less, why they should be chosen to win their very own fairy-tale wedding, will be placed on Kim Kardashian's Facebook page on September 30th. The public will then vote by "Liking" their favorite couple. The couple with the most "likes" will be announced as the winner on October 7th.

Enter to win here. But hurry, the first round of the contest ends next Friday, September 23rd at 11:59PM PT.

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16 Sep, 2011


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'Charlie's Angels' Didn't Look So Sexy Without Some Help - New York Times

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I LOVE wearing other people's clothes. Hand-me-downs, vintage, loaners, whatever. I like clothes with a provenance, a history. Somehow I imagine that I can feel the traces of another person's energy lingering in the threads.

One of my grand acquisitions in this regard was an incredibly tight and plunging roller-derby jersey that Farrah Fawcett wore in a memorable episode of "Charlie's Angels" in 1977. It was a truly amazing garment. Not long after she wore it, the jersey found its way to me and briefly into my college wardrobe. Then I had to give it back.

My roommate at U.C.L.A., Victoria Craze, reminded me of this recently on a call from London, where she lives now. We'd heard that a TV remake of "Charlie's Angels" was beginning soon on ABC. Minka Kelly, one of the new Angels, had just broken up with Derek Jeter.

Actually, we weren't really interested in that. We were trying to remember how I wound up with Farrah's jersey in the first place.

"I think Mom loaned it to me — to wear on Halloween," Victoria said. "But I couldn't zip up the front because of my chest. Mom said I looked too squished. So you got it."

Victoria's mother, Carolina Ewart, was a costumer for "Charlie's Angels" for the first few years. Occasionally she would lend us things to wear, if we could squeeze into them. The Angels — originally played by Jaclyn Smith, Kate Jackson and Ms. Fawcett — chased criminals down L.A. streets, beaches and piers, their bodies squeezed tight in some places and jiggling in others. This fascinating duality, this tightness and looseness, was artfully created by Ms. Ewart, with as much good taste as she was allowed. Aaron Spelling, the producer (and father of Tori), was always riding her to get more skin on the show. "He wants somebody in a bikini in every scene," Ms. Ewart would say, rolling her eyes. The ratings soared.

Ms. Ewart was a realist. She was also a nurturing, recently divorced Italian mother of four who needed a job. She had studied fashion design and dressmaking at Pratt, and had been a wardrobe assistant on "Young Frankenstein" and "Planet of the Apes," but she still had a couple of children at home and wanted regular work — not on location. A TV gig was perfect.

Sometimes Victoria and I shopped with her for the show, helping to haul armloads of bags from boutiques in Beverly Hills and the San Fernando Valley. The high-fashion chains now established along Rodeo Drive hadn't arrived yet — no Prada or Chanel or YSL. Armani was 11 years away.

Beverly Hills didn't take its cues from New York or Paris then. It had its own white-pants resort style, kind of French Riviera meets Tampa, Fla. In 1977, running shoes were becoming trendy, and even Ms. Fawcett managed to look impossibly sexy in them. "Farrah has the cutest, most perfect body," Ms. Ewart would say. "She can wear anything."

Focusing on flaws is part of the job of a costumer. Ms. Ewart, a zaftig Anne Bancroft look-alike, had a way of talking matter-of-factly about body types without causing hurt feelings. "You have no chest," she'd say to me. "Play up your legs!"

Dressing actors wasn't just an art or science to her. It seemed more natural than that, and powerful, as if sprung from her mothering instincts. "Sweetie, hold that up," she'd say to me, as we stood in boutiques and shopped for the Angels, whom Ms. Ewart and her loyal assistant, Erica Phillips, inevitably referred to as "the girls."

The alchemy began when the shopping bags arrived at 20th Century Fox Studios, in Century City, where the show was shot. Each Angel tried on Ms. Ewart's finds, choosing some, rejecting others. They stood for fittings during which the jiggle factor was carefully calibrated. If there was a real Charlie behind the Angels, maybe it was Ms. Ewart.

Each Angel had her own look. Ms. Jackson had a New England style, a Katharine Hepburn aura — pants and turtlenecks and beautiful plaid collared shirts from Ralph Lauren. Ms. Smith was given fuzzy sweaters and ladylike blouses. Most of the super-sex-bomb stuff went directly to Ms. Fawcett.

We always joked about where the Angels kept their weapons. They never wore holsters. They never ran after criminals with a handbag in hand. When they drew their guns, they reached behind them — as if the weapons had been concealed in their pants all along.

In one episode, called "Angels on Wheels," they investigate the death of a roller-derby star, and Ms. Fawcett's character, Jill, poses as a new member of the team. Her jersey was taken in so drastically that there was barely room for the team name and number.

As soon as the jersey came into Victoria's possession and she was unable to breathe in it, I tried it on. I'm tall and stringy ("no chest," as Ms. Ewart would say), but, for some almost supernatural reason, the jersey fit perfectly. I won't pretend that it looked on me as it did on Ms. Fawcett. But something was definitely working, as if the magic Ms. Ewart had created for Farrah had transferred to me. The reaction was immediate. Guys asked me out. Friends asked to try it on. I didn't even have to say where it had come from. I wore it to take art history finals and aced them.

And as my old roommate Victoria so keenly remembers, I was wearing it one night when our college dorm had a fire drill. "You didn't want to go outside, remember? So you hid in the dorm closet. And the fire marshal found you."

"And when he opened the closet door," I replied, "all he said was 'Nice shirt.' "

Ms. Ewart died five years ago at the Motion Picture and Television Fund hospital in Calabasas, Calif., after a long struggle with Alzheimer's disease. A few weeks ago, when I was missing her and thinking about her fun job — and all she taught me about clothes — I called ABC Entertainment and said I was writing about a former costumer for "Charlie's Angels." Promptly, I got a call back.

"I'm definitely a people-person," said Roemehl Hawkins, the costumer for the new "Charlie's Angels." "I like to take everybody under my wing." She used to be a pharmacist but changed careers seven years ago, took a job as a costume production assistant on "Desperate Housewives," then another on "Entourage."

She doesn't shop in malls or boutiques so much. "I look at what's on the runway," she said, "and try to track things down that I've seen online or in magazines. Like, two months ago I saw a pair of silver high-heeled loafers by Alexander Wang in Vogue and it took me forever to get a pair. I am still waiting for a Stella McCarthy polka-dotted dress from the fall line. Actually, I think it might come today."

Just like the old Angels, the new ones have fantastic hair and distinct personal styles. "Annie Ilonzeh has a semi-international flavor," Ms. Hawkins said. "Sexy but street-tough." And Rachael Taylor "plays a girl who grew up in affluent Manhattan."

"She's put-together, high fashion, luxe, sophisticated. She's the one who can run in a pair of Christian Louboutin shoes."

And Minka? "She's my homage to Farrah," Ms. Hawkins said. "If there's a T-shirt on her, it's going to fall off the shoulder."

"Where do they keep their guns?" I asked.

"Oh," Ms. Hawkins began, laughing, "we kind of fudge that. The guns are in the back of their pants, I guess. Or sometimes a purse. No way would we use a holster."

About six months after I borrowed the jersey, Ms. Ewart called her daughter to ask where it was. I got a call soon afterward. "Martha, sweetie, did you wind up with Farrah's jersey?" she asked. I sheepishly admitted that I had. "Darling, love. Could you please bring it back?"

So hard to do. But I did.

15 Sep, 2011


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No more dancing around issues in feminine hygiene - The Associated Press

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No more dancing around issues in feminine hygiene

NEW YORK (AP) — Celebrities are gabbing about it openly. A growing number of grooming products cater to it. And a recent TV commercial hails it as "the cradle of life" and "the center of civilization."

The vagina is becoming big business.

A generation that grew up with more graphic language and sexual images in the media is forgoing the decades-old practice of tiptoeing around female genitalia in favor of more open dialogue about it. To reach digital-age 20- and 30-somethings, who also have shortened attention spans, marketers are using ads that are edgier, more frank and sometimes downright shocking.

"Gen Y people are more relaxed about their bodies, so there's more attention to products that people would have been embarrassed to talk about before," says Deborah Mitchell, executive director for the Center for Brand and Product Management at the University of Wisconsin School of Business. "It's part of this trend of women saying, 'Hey, we're not embarrassed to talk about this."

The new freedom to talk about the vagina comes as marketers spend more to get women to buy products for the area. Ad spending for feminine hygiene products, including tampons, panty liners and cleansers, was up nearly 30 percent to $218.9 million in 2010 from two years ago, according to Kantar Media.

Pop culture also has a lot to do with Americans' — and companies' — increased comfort with women's nether regions. The term "vajayjay" became popular after media mogul Oprah Winfrey began using it on TV in 2007. Last month, actress Olivia Wilde, who stars on the Fox TV series "House," described her favorite vagina tattoo on TBS's "Conan."

"I am about to pass out," Conan said.

The openness has spawned an industry of products and services. "Vajazzling" — gluing on sparkly gems such as Swarovski crystals to jazz up a bikini wax — became a phenomenon last year when actress Jennifer Love Hewitt mentioned it on the former TBS talk show "Lopez Tonight." It's now a popular service offered by some salons across the country. For instance, the Brazil Bronze Glow Bar spa in New York, charges $25 for house designs like a butterfly, dragon and heart, and up to $100 for custom-made designs.

Bettybeauty Inc., which makes pubic hair dye, was started by Nancy Jarecki in 2006 and sells its products at salons and beauty stores. The $14.99 product works like normal hair dye but is formulated to be safe for the pubic area. The colors run from basics like black, brown and blonde to hot pink, turquoise and purple.

Jarecki said sales have tripled since the line was introduced, although she declined to give figures. Some women are looking to cover gray hair, while others just want a fun color, she says. "When I came out with it, there was this kind of burst of 'Oh my god, you solved our problem. I didn't realize how much gray hair was down there,'" she said.

Big consumer products companies also are rolling out products for the vagina and using frank-talking ad campaigns to pitch them.

Energizer Inc. in 2009 introduced the Schick Quattro Trimstyle Razor, which has a bikini trimmer on one side. An ad for the product, which first aired in Europe and shows women dancing to a catchy song called "Mow the Lawn" as they trim hedges, became a viral hit online. A toned down U.S. version of the ad shows shrubs shrinking into various designs as women walk by them — an allusion to trimming the bikini line.

Kimberly-Clark makes fun of stereotypically touchy-feely feminine products ads in its campaign for a new line of pads and tampons introduced last year and put them in brightly colored packaging. In the TV commercial, a woman says, "I want to hold really soft things, like my cat" and "sometimes I just want to run on the beach, I like to twirl, maybe in slow motion." The commercial then closes with the line: "Why are tampon ads so ridiculous?"

In July, the company introduced a designer series that includes pads with flowers, polka dots and stripes printed on them and a limited edition pad and tampon carrying case designed by "Sex and the City" TV series stylist Patricia Field. An accompanying online campaign called "BantheBland.com," allows users to design their own pads using bright colors and patterns; winning patterns will be manufactured and sold for a limited time.

"There's a lot of pressure these days for ads to go viral," said Brian Steinberg, TV editor at trade publication Advertising Age. "If you want a viral pickup you have to be a little eyebrow raising."

Some companies have stumbled over the line between provocative and offensive. In July, Fleet Laboratories, which makes the Summer's Eve feminine products, has had mixed success with its "Hail to the V" campaign to market its cleansing products.

One 60-second TV ad touts the "power of the 'V.'" It shows men throughout history battling each other while a voiceover says, "Over the ages and throughout the world, men have fought for it" and "it's the center of civilization." The ad then cuts to a modern day woman standing next to a shopping aisle of Summer's Eve products and the voiceover says, "So ladies, show it a little love."

But another series of ads, which showed people of different races' hands as puppets appearing to talk as though they were a vagina, was deemed racially insensitive and pulled from the air. The company apologized.

Rhonda Zahnen, a principal at The Richards Group, which created the ads, said despite the controversy, the company was pleased with the overall reaction to the campaign. She noted that about 25,000 have correctly completed its Summer's Eve's online "ID the V" body awareness quiz. And Stephen Colbert even did a parody of the talking-hands ads on Comedy Central's "The Colbert Report."

"We're really excited about having that kind of publicity and coverage. A month ago nobody was talking about feminine hygiene," says Zahnen, who added that Summer's Eve learned through research that women were ready to have frank discussions about their bodies. "We just wanted to be sure that the conversation is focused on celebrating and empowering women."

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15 Sep, 2011


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Wednesday, September 14, 2011

Colour takes over New York Fashion Week - New Zealand Herald

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Reuters

Colour takes over New York Fashion Week
New Zealand Herald
Photo / AP Bursts of sunny, sultry citrus and sexy violet met up with muted sea tones on runways filled with flowers, both literal and reinvented, at New York Fashion Week's spring previews over the weekend. Colour is everywhere this time around, ...
Narciso Rodriguez keeps his sexy look for spring, but takes up a different shapeWashington Post
Color, color everywhere on NY Fashion Week, Day 3The Associated Press
Designers set a bold but modest path for springHouston Chronicle

los 785 artículos informativos »

13 Sep, 2011


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Five-stone weight loss was lifesaver for super-slimmer - Yorkshire Post

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Losing five stone has not just improved Joanne Jackson's health – it helped doctors spot that she had cancer.

She survived breast cancer but doctors told her if she had not lost weight so dramatically they might not have been able to save her life.

Mrs Jackson, 40, piled on the pounds when she began comfort eating after she had suffered four miscarriages.

When she tipped the scales at 15st 4lb, the mother of two finally decided she needed help. The decision which undoubtedly saved her life, as otherwise she would have been unaware of a cancerous lump had she not dropped from a 40HH bra cup size to a 30C.

Mrs Jackson, of Dewsbury, West Yorkshire, who went from a size 22 to a size 10, said: "I'm so thankful I'd lost weight. The doctor told me had I not lost weight I wouldn't have found the lump until much later when it could have been too late to do anything.

"I met my husband Andrew in 2004, and in 2005 we decided to try for a baby. I got pregnant straight away but miscarried at nine weeks.

"I was upset but I was determined to try for another baby. I fell pregnant again at Christmas in 2005.

"I went for a scan and I'd miscarried again at nine weeks. I was devastated, I'd done everything I should have, I stopped smoking but it made no difference.

"I turned to the one thing that was constant and that was food."

Mrs Jackson would often eat a loaf of bread a day or get through a box of chocolates with little thought. Her weight increased and she was surprised in May 2006 to discover she was pregnant.

This time it was good news as she gave birth to second son Evan, now four. But throughout the pregnancy she continued to eat a lot.

In 2008, the couple decided to add to their family, but Mrs Jackson miscarried two more pregnancies in the early stages.

"I told myself I'd never go through it again, I hated my body because it wouldn't keep a baby – and I still turned to food," she said.

Doctors told Mrs Jackson she had an elevated immune system which meant it treated the foetus like a foreign body.

At dress size 22 and weighing 15st 4lb, she joined Slimming World in April 2009, and dropped four-and-a-half stone in her first year.

She said: "I was absolutely thrilled with my weight loss, my self-confidence was restored and I was learning to love my body again.

"My weight dropped to 10st 5lb and my bra size went from 40HH to 30C."

Mrs Jackson continued to lose weight and thought there might be light at the end of the tunnel, but after being made redundant from Kirklees Council, she was at home on the sofa when she felt a lump in May this year.

Doctors found three types of cancer in her left breast, two of which were invasive.

Mrs Jackson, also mother to 18-year-old Connah, said: "I had a choice to make, have a lumpectomy or a mastectomy. There was no debating it, I had a mastectomy.

"I thought there could be every chance it would come back and I didn't want that."

Just one week after having the mastectomy on June 29 at Calderdale Royal Hospital in Halifax, Mrs Jackson took part in her second Race for Life.

Her breast care nurse Debbie Weevel said: "If Joanne hadn't lost the weight that she did, the lump wouldn't have been spotted until much later and it could have been too late.

"Losing the weight saved her life."

Mrs Jackson, who has been given the all-clear, has now joined Slimming World as a consultant. She still attends classes but has set up her own and her 70 members have lost a whopping combined total of 200 stones in eight months.

joanne.ginley@ypn.co.uk


14 Sep, 2011


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Tuesday, September 13, 2011

Justin Bieber Confirms Boyz II Men Collaboration in New Christmas Album - AceShowbiz

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September 14, 2011 03:20:14 GMT

The 'Baby' hitmaker is thrilled to have his idol accepting the offer to join forces with him in one of the holiday songs recorded for his upcoming album.

has his dream come true. The Canadian singing sensation let her Twitter followers know how excited he was after finding out that , one of the most successful R&B boybands of all time, agreed to lend their vocals to his upcoming Christmas album.

"2day i woke up and realized that the group that made me want to sing @BoyzIIMen are now on the christmas album singing with me. #DREAMBIG," he tweeted. "I used 2 listen to their music and practice the runs. that is how i learned how to sing. now im in the studio with them making music 2gether."

Bieber continued to express his excitement, "Im telling you...never say never...never stop dreaming....never give up. #DREAMBIG. @BoyzIIMen Im honored and blessed. thank u." Replying to his message, the band's member Shawn Stockman wrote, "We got love for u lil bro!! Thank YOU, and Thanx for everything u do for ur fans!! I KNOW they appreciate it."

On behalf of all the members, a short message posted on the band's official Twitter. It read, "It was a pleasure! Remember what we talked about in the studio Lil bro! Let's do it again sooner than later!!" Bieber was quick to tweet a reply, "Im not gonna forget. THANK U!!"

Details about the collaboration song remain under wrap, but Bieber's manager Scooter Braun recently dished on a few tidbit about the whole materials in the holiday album. "This Christmas album is amazing. Might be the best album yet," he wrote. "All originals ...soon 2 b classics. every1 i play it 4 is blown away. #excited." The effort is tentatively set for November release.

When the seasonal album is done, Bieber will continue writing new songs because he wants to craft his next studio installment back to back with the holiday effort. "We're doing a Christmas [album] and it's probably gonna be done by the end of this month and then we're gonna start the next album," he said. "Then I gotta go on a South American tour."

© AceShowbiz.com




14 Sep, 2011


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Kylie Jenner Modeling Debut Steals Spotlight From Sister Kim Kardashian - Gather Celebs News Channel

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As Kylie Jenner made her runway modeling début on Monday night walking in Abbey Dawn, the spotlight was fully on her for once rather than her big sister Kim Kardashian. Sure big sis was there to cheer the youngest of the Keeping Up With The Kardashians star on, but the focus was on the budding 14-year-old, who said she did feel nervous walking down the catwalk.

Kylie Jenner Modeling Debut Steals Spotlight From Sister Kim KardashianFor Abbey Dawn, created by Avril Levine, Kylie Jenner strutted down the runway wearing a flirty little black dress along with other super funky outfits designed by the rock star. While the family (and the world) snapped pictures, young Kylie dealt with a few jitters. She said, "I was a little nervous. I've never done anything like this before. It really took me out of my comfort zone in a good way."

While some believe that Kylie Jenner would not have had this opportunity if her brother hadn't been dating Avril Levine and her sister hadn't been Kim Kardashian, she certainly made the most of it. In fact, her agent actually told her about the job, so it didn't come through her family at all. She did a nice job walking the runway modeling the clothes aimed at the younger crowd. Do you think any of her star power brought more buyers for Abbey Dawn? If so, then Avril Levine made the right choice choosing the youngest of the Kardashians to walk in her show.

The best news for the budding model? It seems that her big sister Kim is all smiles about her newfound success, and she even jumped up to hand her a beautiful bouquet of flowers. Isn't it nice to see them happy for each other?

Like this article? See more by Kate James at Gather.com

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14 Sep, 2011


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Backstage Beauty Report | Marc by Marc Jacobs - New York Times (blog)

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You know you're a beauty industry rock star when a designer makes references to your past work in his preshow brief. "Nineties Guido," was what Marc Jacobs wanted for Marc by Marc Jacobs according to Guido Palau backstage before the show. "They got out all my old pictures," he said of the stack of images unearthed by Jacobs's team. In the end, Palau came up with a half pulled-through ponytail created by first blow-drying the hair with Redken Satinwear, then pulling it back with an elastic. The next step was attaching the tail to the back of the head with a silver Goody clip and coating the hair with Shine Enrich and Forceful 23 Spray. "A little bit spiky — aerodynamic," is how Palau described the finished look. Nails were painted Zoya's Olivia with a custom matte top coat to make a nude velvet effect. For makeup, Dick Page conceived what he referred to as the appropriately collegiate "Pretty 101, just a healthy face." This was done using Shiseido gold blush dusted just above the cheek bones with a rosy tone below. Eyelids were spread with Shiseido Maquillage Lip Gloss and brows were colored with Shimmering Cream eyeshadow in one of four shades: Sable, Gold Meadow, Caviar or Leather, a reddish brown for those with auburn hair. Roseate was dabbed onto the bare mouth with the finger. Said Page, "Nothing too complicated, no tricks."

14 Sep, 2011


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Q&A: Steve Stoute on Kanye West, Justin Bieber, and Music as Culture's “Trojan ... - Vanity Fair

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Courtesy of Gotham Books.

Music-industry veteran and brand-marketing innovator Steve Stoute's The Tanning of America is a candid, fearless and thorough exploration of how hip-hop culture became a mainstream influencer in the new century, affecting the "mental complexion" of the nation. Stoute sat down with VF Daily to discuss the book, music as a Trojan horse, and Obama's 2012 campaign message—highlights from the conversation:

VF Daily: This may be a strange question to lead with, but I noticed that you put asterisks in some of the curse words in the book and I was curious. Was that a style choice?

Steve Stoute:
It was almost like I'm softening the use of the curse word, almost as a way to accentuate the statement, but not to forcefully say "shit" or "fuck."

So it wasn't self-censoring. I was wondering, because this is something that students could read like a history-class text?

That's a very good observation. I wrote the book not necessarily to be a history book, but I am actually teaching a course at N.Y.U. and it's also called "The Tanning of America." Students will take a semester of what led to this phenomenon. In order to highlight the culture shift, you have to state the before and after and show the transitions.

You open the book with the rise of Run DMC and their relationship with Adidas in the mid-80s, but cite the Sugarhill Gang's 1979 single "Rapper's Delight" as the real turning point. We're about the same age, and I can clearly recall the moment that I heard it and how it affected me. I was a white kid from Long Island, born in Queens.

What part of Queens?

Far Rockaway.

I was born in Queens Village.

I probably had the same excitement hearing that full, 15-minute version that you or anyone would have, and that was, in its way, a great force for unification.

It's very important, but music is not the pivotal thing to tanning. Music was the Trojan horse that brought in the culture. The culture was the pants and the language, the Ebonics, the systems in your car, an entire swagger and way to live your life. It was the videos [that] taught people how to act. It brought a tutorial for that way of life.

The music was the delivery system for ideas. It makes me think of that Kanye West quote in the book where he says that you "can say anything (in a song lyric) as long as the drums are right."

He told me, "Whoever thought you could get a song called 'Jesus Walks' into a club where people are smoking marijuana and drinking drink and popping pills? But when you got the drums right, you can say anything over it." There's a lot of messaging and coding going on in the music, because people were dancing and paying attention to the drums—meanwhile the words were shaping a generational shift, shaping a generation's thought.

Let's talk about the phrase "the tanning of America"—how did it come about?

People told me that they thought the word was a little too strong of a term. They probably felt like I could have softened the word up. When I speak about "tan," I speak about the mental complexion, and unless you take the time to read the book, you may start thinking of tan like people's skin tones are getting darker because of all the interracial relationships or the penetration of African Americans and Hispanics in America. I'm not speaking about the physical DNA. But yeah, I got resistance from the publisher and other people. They thought it was too strong a term—that's why I even put the Census Bureau form in the book, so you could understand how I approached it.  

You also have to appreciate the ring of it. You hear it once and don't forget it. It has power just as a term.

I'm a marketer, and I did believe that the word "tanning" could be a new description of how you would describe the phenomenon, yes. I have a Web series with AOL. I interviewed Will Smith, Justin Bieber, Jay-Z, Puffy, Jimmy Iovine, and it was all about what was their tanning moment. It's called "the tanning effect." Lady Gaga tells me how hip-hop culture affected her art. Justin tells me how young he was, and what it meant to him that America had an African-American president.

You write about President Obama's successful 2008 campaign, and I feel like I can't let you go before asking about his current message from a marketing standpoint, leading into the 2012 run.

I don't think he's given himself enough credit for what he has done. I think people kind of skim that he caught Osama bin Laden.

He took no victory lap.

He took no victory lap, so no one even gives him the victory for it. People think about it, but if everybody had true insight into what al-Qaeda was really doing and what could have been, they would give him the credit he deserves. It helped save the world—it made the world a better place.

You'd lead the campaign with that?

Wouldn't lead with that, but I would give that story a fresh coat of paint.

Did you have a strong sense that this was the right time to put the book out?

Oh yeah—it's the right book at the right time. Because the shift that's taking place right now—and the census data highlights the shift—is that one in seven marriages now are interracial. That's marriages. That's not even sex and babies—that's going all the way with it. One in seven now. And the biggest growth in Hispanics in America is no longer Florida and California—it's the growth in North Carolina and Illinois. The penetration of culture is getting into Middle America. With the Internet spreading shared cultures and values, we've now gotten to a place where one's ethnicity no longer determines what their cultural drive is. You know that coming up in Rockaway—you were on the cusp of it—but now it's happening in Iowa.

14 Sep, 2011


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Go ahead, SpongeBob, rot my kids' brains - Salon

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Sometimes a family tragedy can expose bonds you didn't know existed. That's what happened with my younger sister and me. Although just 11 months apart, we could not have been more different: I rebelled as hard as she conformed, and if you met us at a party ... well, that would never have happened, because we never went to the same parties. If we hadn't been forced to spend summers together with our dad after our parents' divorce, my sister and I would have spent scarcely any time together at all. Then my mom was diagnosed with Stage IV lung cancer and given less than a year to live. Suddenly, for the first time in our lives, my sister and I were not only inseparable but totally in sync.

Some patterns came naturally, since they were holdovers from when we were kids. Negotiating household chores was a breeze. I agreed to wash the dishes if she would dry and put them away. The next night, we swapped duties. Other moments of synchronicity caught us by surprise, like realizing we both avoid dealing with our emotions by taking on more responsibility. During the nine months my mother fought a losing battle for her life, she found joy in watching her daughters put aside their childhood differences and learn to appreciate each other as adults.

In "The Sibling Effect," science writer Jeffrey Kluger argues that the relationships we have with our siblings are the most important ones of our lives. From the time we gain a brother or sister, they can be both our fiercest competitors and closest confidantes. They teach us the social skills we carry for life and stand by us during our best and worst experiences -- divorce, the birth of children and our parents' deaths. In his book, Kluger uses the latest scientific findings to explain the meaning of everything from birth order to the stigma of the only child.

Salon spoke to Kluger about the enduring loyalty of siblings, why treating children the same is a bad idea, and the problem with being the middle child.

When you were researching the book, were you surprised by how intense the sibling relationship is?

The relationships I have with my siblings have always been very important in my life, but it wasn't until 2005 that I began reading a lot of papers on the topic. The value and centrality of sibling relationships across the board was surprising to me, particularly because a lot of these dynamics are very deeply encoded. So many of the sibling dynamics we find in the home are replicated in the natural, non-human world, and so much of what I found is universal across several hundreds of species. When you get up to humans, we've embroidered and built on these dynamics in all kinds of elaborate ways, but human sibling relationships are deeply rooted into the evolutionary chain.

Is this why you make a strong case for people staying close to their siblings?

One of the reasons I made that case is that there is a real uniqueness to sibling relationships that people never fully appreciated before. Siblings are the only relatives, and perhaps the only people you'll ever know, who are with you through the entire arc of your life. Your parents leave you too soon and your kids and spouse come along late, but your siblings know you when you are in your most inchoate form. Assuming you all reach a ripe old age, they'll be with you until the very end, and for that reason, there is an intimacy and a familiarity that can't possibly be available to you in any other relationship throughout your life. Certainly, people can get along without siblings. Single children do, and there are people who have irreparably estranged relationships with their siblings who live full and satisfying lives, but to have siblings and not make the most of that resource is squandering one of the greatest interpersonal resources you'll ever have.

So what do we learn from our siblings?

You can think of what goes on in the playroom as a long-term, total-immersion dress rehearsal for life. There is a lot of real-time nimble improvisation that goes on when we're learning how to deal with different relationships and conflicts as they come up, as well as how to embrace and settle into happy moments. When you learn conflict-resolution skills in the playroom, you then practice them on the playground, and that in turn stays with you. If you have a combative sibling or a physically intimidating, older sibling, you learn a lot about how to deal with situations like that later in life. If you're an older sibling and you have a younger sibling who needs mentoring or is afraid of the dark, you develop nurturing and empathic skills that you wouldn't otherwise have. This comes down to our basic interpersonal software, and our siblings help lay it in.

Does the sex of our siblings, whether we have brothers or sisters, make a difference?

The sex of siblings matters a lot. There is a lot of empirical truth to the popular wisdom that you can tell a boy who grew up with sisters and a girl who grew up with brothers. There is ruggedness, a winking lack of complete seriousness or grimness, to a girl who grew up with brothers. There's a greater degree of sensitivity and listening skills in boys who grew up with sisters. Studies show that when you pair people up in 5- to 15-minute conversations, as if it were a speed date, the males who grew up with sisters tend to do better than the ones who grew up with brothers or as only children. Similarly, the females with brothers tend to do better with boys. This is because you learn a little bit about how to turn the tumblers of the opposite sex. Your relationship with your sibling is obviously very different than your relationship with a potential romantic partner, but you still learn how the mind of an opposite-sex peer works, and those skills are relatable to the outside world.

Why are we so interested in what birth order might say about us?

One of the researchers I talked to said that people read information about birth order in the way they read horoscopes. Birth-order research does seem to show that a lot of what people arrive at on their own is confirmed by the studies. For example, the tendency is for middle children to be a little more lost, oldest children are more responsible, and younger kids are wild.

Are there rational explanations for these traits?

Older siblings get more total-immersion mentoring with their parents before younger siblings come along. As a result, they get an IQ and linguistic advantage because they are the exclusive focus of their parents' attention. The idea of what businesses call "sunk costs" comes into play here, which means that by the time an older child is 2 or 3 years old, the parents have sunk a great deal of money, time, and physical and emotional energy into them. When a younger child comes along, evolutionarily speaking, it's like a product that is not as far down the creation and assembly process. So, you put more energy into the product that is further along because that one has the greatest chance of success to thrive in life. There is a lot of parental focus on the older child, even if they're not aware they're doing it.

The youngest child has a valedictory quality because he or she is the parents' final shot. Youngest kids tend to develop a greater ability to use low-power strategies, like getting inside the minds of and charming other people, because they're the smallest child in the house. When you can't thump your older siblings to get what you need, you learn to disarm them by being funny, or you learn to have a better intuitive sense. The biggest advantage a youngest child gets that middle children do not is to eventually become an only child. They get to experience the uniqueness of being the focus of parents' attention that the firstborn had, if only for a little while, because they're the last one left in the house. The middle child gets none of this. That's why they tend to invest in greater ways in friendships outside the home and be much less connected to the family.

There are a growing number of unconventional families these days -- with lots of stepparents and stepbrothers and sisters. How is this impacting sibling relationships?

Blended families are much more common than they used to be, and that's changing sibling relationships, since more kids are experiencing them. With blended families you can get explosions of the traditional birth-order sequence, which can be very disorienting, but also educational, for kids. A firstborn child who is used to being the prince of the family can be knocked down to second or third. The baby of the family might be used to coddling and indulgence, but when a younger kid comes along, it can put them in the middle, which can be an unremarkable position. Relationships with step-siblings tend to be more fraught in some ways because you're competing more for parental attention, and there is a lot of territoriality that goes along.

On the other hand, if blended families survive beyond the benchmark of six years, the relationships between step-siblings are often as intimate and enduring as the ones between full siblings. In some ways they can be better because they're devoid of that biological competition for parental attention. A lot of this depends on how long the kids are in the house. If you're 14 years old when your mom gets remarried, you don't get six years with the members of your step-family. The younger the kids are when families blend, the better they do, because they have more time together and they resent the stepparent less. In this respect, the research is a moving target because we're seeing all kinds of radical changes in families that may take time to see exactly how they affect sibling relationships.

What conflicts cause the most problems for siblings?

Property is the biggest one. With very young kids, when researchers look at what the causes of fights are, some 80 percent of all fights in the playroom break out over property disputes. It's a "my toy, not his toy" issue, which is an easy one for parents to identify and resolve. Once you figure out whose toy it is, you have a nice lesson in sharing and in respecting other people's property. Parents shouldn't just roll their eyes, even though conflicts over sharing are so common, because property for a small child is a critical way of establishing authority and control over a world in which they have virtually no power. You're physically little. You don't have any resources beyond what your parents can and are willing to give you. So, when something is yours, it becomes a real totem of the little bit of authority you have, which is one of the reasons little kids are so terrible about sharing.

There is a prevailing idea that divorce is really bad for children, but you talk about ways family conflict can actually be good for siblings' relationships.

This is one of the things that drove me to write the book. My parents were divorced, and my mother was divorced twice. Each time we came through it, my brothers and my relationships seemed to be annealed in some way. They were strengthened. If you begin with relatively strong sibling bonds, divorce is like any other any crisis in that the people involved tend to pull together. When your parents, who are the anchors you're counting on the most, are falling down on the job, siblings look to each other and find way to pull together, because the last thing you can afford to see fractured at that point is the unit among yourselves.

Paradoxically, siblings also tend to pull together in situations in which any of the kids are battered, particularly if there is one target child. Parental abuse tends to rupture the ties between parent and child, so kids who survive terrible situations like that often end up much closer to their siblings. Older children especially tend to side with the abused younger sibling over the abusive parent.

What happens to sibling relationships when a parent dies?

The loss of a parent can draw kids closer together. In fact, if a parent dies, older siblings will quickly jump into that breach to become caretakers and gentle disciplinarians. Sometimes parents have to instruct an older child to fill in and help encourage the younger siblings to clean up their room or do their homework, but often that isn't necessary. The older children fall into that naturally, and the younger children tumble into that relationship very comfortably, because who could be safer than someone you already know and trust?

Why do single children get a bad rap?

In the early 20th century, some scientists said things like being an only child is a disease and the world would be better if only children didn't exist. The idea was that only children learn self-absorption and selfishness when they should learn sharing. They learn entitlement when they should learn earned favors. When you think of an only child, the stereotypical image that comes to mind is of a forlorn figure in a silent house whose parents are occupied by adult chores and who doesn't know how to play with cousins at Thanksgiving. Yet study after study has found that none of this is true.

Only children tend to exceed other kids in terms of academic accomplishments, sophistication, vocabulary, and often, social skills as well. They have a great ability to make and maintain friends, and to resolve conflict, because they have to be nimble about learning skills outside the home, like in daycare, play groups, and school. One of the advantages of being an only child in the home is that the conversations you hear and participate in, the TV shows you watch, and the vacations you go on tend to skew older. All these things become food for the developing brain, and by the time the child is in first grade, he or she has a background in adult thinking and abstract concepts that children with siblings just don't get.

In each chapter there are gems of advice for parents, and one is that treating children equally is a bad idea. 

You can't treat your children equally, because they're very different people and they have different needs. Age is the obvious driver of this, because older children will get certain privileges and freedoms that younger kids don't get, and younger kids will get indulgences that older children won't get. But if your older child is a natural student and your younger student is a natural artist or athlete, you've got to look early at what the aptitudes are -- not only to support them but also to celebrate them. It's important to understand that kids will often de-identify from their older siblings. Kids grow like leaves in that they look for the places where there is a spot of sunlight and shift into that space instead of growing directly under the other leaves that are shading the spot above them. Parents have to be aware that it is critical for kids to find their niche in the family as the smart one, the pretty one, the funny one or the athlete. To try to hammer kids into the same mold is a mistake. All kids find their way to say, "This is how I stand out," and parents have to respect that.

14 Sep, 2011


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Source: http://news.google.com/news/url?sa=t&fd=R&usg=AFQjCNE_3wgu9vPx8TYLD8KmvYuhq_kpYQ&url=http://www.salon.com/life/parenting/?story=/ent/tv/feature/2011/09/13/spongebob_wont_hurt_your_kids
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